“No,” she whispered. “Of course not. I don’t like your tie.” It seemed to depress him, that. The child flung her arms about her. “You’re so beautiful and wonderful,” she said. “You can do anything. I’m so glad you came.”!

Suddenly, and intensely to her own surprise, she fell into a passionate fit of weeping. There was no reason for it, and it was altogether so unlike her. But for quite a while she was unable to control it. Gradually, and of their own accord, her sobs lessened, and she was able to wipe her eyes and take stock of herself in the long glass. She wondered for the moment whether it was really her own reflection that she saw there or that of some ghostly image of her mother. She had so often seen the same look in her mother’s eyes. Evidently the likeness between them was more extensive than she had imagined. For the first time she became conscious of an emotional, hysterical side to her nature of which she had been unaware. Perhaps it was just as well that she had discovered it. She would have to keep a stricter watch upon herself. This question of her future relationship with Phillips: it would have to be thought out coldly, dispassionately. Nothing unexpected must be allowed to enter into it. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

“I’m sorry,” she continued; “awfully sorry, old girl. It’s a bit of rotten bad luck for both of you. You were just made for one another. And Fate, knowing what was coming, bustles round and gets hold of poor, silly Mrs. Phillips so as to be able to say ‘Yah.’” “It isn’t going to be the Daily This and the Daily That and the Weekly the Other all combined to down me. I’m going to tell the people that it’s Carleton and only Carleton—Carleton here, Carleton there, Carleton everywhere, against them. I’m going to drag him out into the open and make him put up his own fists.” She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.